Disciplining the Arts

Teaching Entrepreneurship in Context. Paperback. Sprache: Englisch.
Taschenbuch
Increasingly, the availability of entrepreneurship education is becoming a factor in college choice as fine arts students demand training that helps them create an arts-based career after graduation. For too long, the arts academy has ignored the lon … weiterlesen
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Titel: Disciplining the Arts
Autor/en: Gary D. Beckman

ISBN: 160709200X
EAN: 9781607092001
Teaching Entrepreneurship in Context.
Paperback.
Sprache: Englisch.
R&L Education

1. November 2010 - kartoniert - 200 Seiten

Beschreibung

Increasingly, the availability of entrepreneurship education is becoming a factor in college choice as fine arts students demand training that helps them create an arts-based career after graduation. For too long, the arts academy has ignored the long-term career outcomes of its graduates and has only recently begun to meaningfully address how students can earn a living as working artists and arts entrepreneurs. Written to address this challenge, Disciplining the Arts explores the policy, programming, and curricular issues in the emerging field of arts entrepreneurship. By articulating the need, purpose and outcomes for arts entrepreneurship education, listening to graduates and identifying models, this essay collection begins an important conversation on preparing students for arts self-employment.

Inhaltsverzeichnis

1 Introduction: Articulating Need and Developing Policy 2 1. Some Immodest Proposals (and Hunches) for Conservatory Education 3 2. Why Music Entrepreneurship and Why in College Music Training? 4 3. Disciplining Arts Entrepreneurship Education: A Call to Action 5 4. Art and Innovation: Claiming a New and Larger Role in the Modern Academy 6 5. Can Too Many Know Too Much?: The Ethics of Education In Music Entrepreneurship 7 6. An Overnight Success in Only 20 Short Years: A Commentary from the Green Room 8 7. Venturing Outward: A Graduate Student Advocates for the Study of Arts Entrepreneurship 9 8. Teaching Entrepreneurship by Conservatory Methods 10 9. Making the Connections: Music Education and Arts Entrepreneurship 11 10. The Compleat Pianist: Leveraging Entrepreneurial Mentorship to Foster a Renewed Vision of Piano Pedagogy 12 11. Entrepreneurial Thinking in the P-12 Music Classroom: Examining the Relevancy of 21st Century Music Education and its Potential to Meet the Needs of Students, Communities and the Creative Economy 13 12. Music and Entrepreneurship in the Liberal Arts: A Model for an Interdisciplinary Minor to Augment Current Music Curricula 14 13. Entrepreneurship and Career Services in Context: Issues, Challenges, and Strategies 15 14. I'mART: A Framework for Artists to Evaluate Opportunities 16 15. The Importance of Case Studies in Arts Entrepreneurship Curricula 17 16. Real World Musicology: Integrating Entrepreneurship throughout the Music Curriculum and Beyond 18 17. So, What's the Point?: An Introductory Discussion on the Desired Outcomes of Arts Entrepreneurship Education

Portrait

A proud New Englander, Gary D. Beckman received degrees in music at the Universities of Southern Maine and New Hampshire before earning his Ph.D. in Musicology at The University of Texas at Austin. Currently, he is a visiting professor at the University of South Carolina's School of Music where he teaches music history, world music, and music entrepreneurship.

Pressestimmen

Disciplining the Arts provides a powerful case for making arts entrepreneurship an educational prerogative and lays out specific implementation strategies. Students, the arts community, and world at large will be well served by educators who embrace these lessons. -- David Cutler, author,The Savvy Musician Though America's collegiate schools and departments of fine arts are producing many more professional artists than our current ecosystem for the arts can possibly support, young people continue to flock to arts majors in increasing numbers. Disciplining the Arts examines a number of potential approaches to an improved balance between the supply and demand for young artists, including a careful consideration of the role a more entrepreneurial approach to an artist's education might entail. This is a book of real importance, enthusiastically recommended to young people in music, art, theater, and dance, and to their teachers as well. -- Robert Freeman, Susan Menefee Ragan Regents Professor of Fine Arts, The University of Texas at Austin There are no jobs in the arts, only opportunities. Disciplining the Arts demonstrates a significant change in how arts disciplines help artists live what they love through the essays of university arts administrators, educators, and the students arts entrepreneurship education is meant to impact. -- Joseph S. Roberts, Coleman Foundation Professor of Arts Entrepreneurship & Small Business Management, Columbia College, Chicago
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