'[German] philosophy was more profound - to a fault. So was their music. Their scientists and engineers were clearly the best. Their soldiers were unmatched. It is, of course, the Nazis who have made it hard for us to appreciate what Peter Watson calls "the German genius." Goebbels spoiled the brand when he marketed Hitler as the apotheosis of German culture. Mr Watson, a British journalist and the author of several books of cultural history, would like us to leave the Nazis aside and appreciate that our modern world - at least the world of ideas - is largely a German creation. In effect, with "The German Genius" Mr Watson has given us a kind of Dictionary of German Biography... There were many German geniuses' International Herald Tribune 17/7 'Post-war perceptions of Germany tend to be coloured by an obsession with the Nazis. Nevertheless, German ideas and practices have been fundamental to the development of modern life in the West. For ill, of course, but more often for good than is now recognised, we could not have done without the Germans, and Watson's book is intended to subvert the negative German stereotypes. Though it checks in at just short of 1,000 pages, it is a usefully concise introduction to the principal themes and personalities of German scientific, philosophical, social, literary and artistic culture since 1750' The Times 'This intelligent book presents a breath-taking panorama. Let up hope that it succeeds in its aim and stimulates a deeper and wider engagement with the country of Kant, Beethoven, Einstein and Habermas' Christopher Clark, Sunday Times 12/9 'Peter Watson's colossal encyclopaedia, The German Genius, might have been written for me, but not only for me. A journalist of heroic industry, Watson is frustrated by the British ignorance of Germany, or rather by an expertise devoted exclusively to Adolf Hitler and the Holocaust. Watson wonders not just why the nation of thinkers and poets came to grief between 1933 and 1945 but also how it put itself together again and, in 1989, recreated most of the Wilhelmine state without plunging Europe into war or even breaking sweat. Watson has not simply written a survey of the German intellect from Goethe to Botho Strauss -- nothing so dilettantist. In the course of nearly 1,000 pages, he covers German idealism, porcelain, the symphony, Johann Joachim Winckelmann, telegraphy, homeopathy, strategy, Sanskrit, colour theory, the Nazarenes, universities, Hegel, jurisprudence, the conservation of energy, the Biedermeyer, entropy, fractals, dyestuffs, the PhD, heroin, automobiles, the unconscious, the cannon, the Altar of Pergamon, sociology, militarism, the waltz, anti-semitism, continental drift, quantum theory and serial music.' James Buchan, Guardian 9/10 'The outstanding quality of this book is that it places scientific discoveries at the core of cultural history, linking them with dramatic technical and industrial developments...Watson's account of the 'rise' assembles such a wealth of information, based on an impressive range of sources, that The German Genius will be an essential work of reference for years to come' Independent 15/10 'Like successive German ambassadors to the UK, Peter Watson has noticed that British perceptions of Germany are dominated almost exclusively by the Third Reich, the Second World War and the Holocaust... The era during which Germany led the world in philosophy, music, science, historical research, and, arguably, several branches of literature, was ended abruptly by Hitler, who sent most of Germany's lead minds into exile and thus hugely enriched the intellectual life of the Anglo-American countries... here we have an encyclopaedic survey in which every famous German artist or thinker, and many who should be more famous than they are, finds a place' Ritchie Robertson, TLS 1/10 'The reason Peter Watson gives for writing this long intellectual history of Germany since 1750 is a convincing one; that British obsession with Nazism has blinded many British people to the achievements of German culture... An introduction to other German history is welcome' Alexander Starritt, The Spectator 16/10
