A 1997 study of visual and verbal interpretations of Boccaccio's The Decameron.
Inhaltsverzeichnis
1. Beastly Gualtieri: another audience for the Tale of Griselda; 2. Illuminating metaphors: the tale of Tancredi, Ghismunda and Guiscardo; 3. Boccaccio, Botticelli and the tale of Nastagio: the subversion of visuality by painting; 4. Imaginative artistry: Giotto, Boccaccio and Pasolini; 5. Living pictures: high art pastiche and the cruising gaze in Pasolini's Decameron.