During the Cold War, jazz became a cultural weapon that was employed by both sides. In the Eastern Bloc countries, new jazz scenes emerged. This volume explores the history and roles of jazz in Poland, the German Democratic Republic (GDR), Czechoslovakia, Hungary, the Soviet Union, and the Baltic States by means of several case studies.
During the Cold War, jazz became a cultural weapon that was employed by both sides to advance their interests. This volume explores the history and roles of jazz in Poland, the German Democratic Republic (GDR), Czechoslovakia, Hungary, the Soviet Union, and the Baltic States by means of several case studies. The American administration attempted to destabilize the political systems of the Eastern Bloc countries, while the powers responsible for culture in the Eastern Bloc countries tried to curtail the US propaganda campaign. This resulted in distinct jazz traditions and jazz scenes, each governed by a distinct behavioural codex, as well as official responses in each of the Eastern Bloc countries.
Inhaltsverzeichnis
Contents: Gertrud Pickhan/Rüdiger Ritter: Introduction Rüdiger Ritter: Jazz in State Socialism - a Playground of Refusal? Christian Schmidt-Rost: 1956 - A turning point for the jazz scenes in the GDR and Poland Marta Domurat-Linde: From «Jazz in Poland» to «Polish Jazz» Igor Pietraszewski: Jazz Musicians in Post-War Poland Gerg Havadi: Individualists, Traditionalists, Revolutionaries, or Opportunists? The Political and Social Constellations of Jazz in Hungary during the 1950s-1960s Peter Moty ka: The Jazz Section: Disintegration through Jazz Rüdiger Ritter: Negotiated Spaces: Jazz in Moscow after the Thaw Heli Reimann: Swing Club and the Meaning of Jazz in Estonia in the late 1940s.
