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Produktbild: John Williams | Tim Greiving
Produktbild: John Williams | Tim Greiving

John Williams

A Composer's Life

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John Williams is the most famous film composer of all time. He wrote as many universally well-known tunes as the Beatles or Beethoven, if not more; his themes for Jaws, Star Wars, Indiana Jones, E. T. , Jurassic Park, and Harry Potter are beloved around the world by multiple generations. This is the first major biography, achieved with unprecedented access to Williams and new interviews with Steven Spielberg and Yo-Yo Ma, among many others.

Inhaltsverzeichnis

  • Introduction

  • Part I: Hollywood

  • Chapter 1: The Ancestral Home (1877-1932)

  • Chapter 2: Very First Adventure (1932-50)

  • Chapter 3: Leaving Home (1951-56)

  • Chapter 4: Love Theme (1956-68)

  • Chapter 5: In Search of Unicorns (1969-74)

  • Chapter 6: The Beginning of a Friendship (1972-76)

  • Chapter 7: Binary Sunset (1977)

  • Chapter 8: Death on the Carousel (1978-79)

  • Chapter 9: The Miracle of the Ark (1980-83)

  • Part II: Tanglewood

  • Chapter 10: Cadillac of the Skies (1984-87)

  • Chapter 11: Somewhere in My Memory (1988-91)

  • Chapter 12: Journey to the Island (1991-96)

  • Chapter 13: Duel of the Fates (1997-99)

  • Chapter 14: Where Dreams Are Born (2000-03)

  • Chapter 15: Confluence (2004-07)

  • Chapter 16: Simple Gifts (2008-14)

  • Chapter 17: Old Friends (2015-19)

  • Chapter 18: Reunion and Finale (2020-24)

  • Epilogue: Heartwood

  • Acknowledgements: Close Encounters with the White Goddess

  • Index


Produktdetails

Erscheinungsdatum
02. September 2025
Sprache
englisch
Seitenanzahl
630
Autor/Autorin
Tim Greiving
Illustrationen
31 color plates, 26 interior photographs
Verlag/Hersteller
Produktart
gebunden
Abbildungen
31 color plates, 26 interior photographs
Gewicht
1074 g
Größe (L/B/H)
240/165/41 mm
ISBN
9780197620885

Portrait

Tim Greiving

Tim Greiving is an arts journalist in Los Angeles who specializes in film music. He has contributed stories to NPR, the Los Angeles Times, the Washington Post, and the New York Times. He has written program notes for the Los Angeles Philharmonic and the Royal Albert Hall, and liner notes for more than one hundred soundtrack albums. He contributes to the Visual History Program for the Academy of Motion Picture Arts and Sciences and teaches film music history at the University of Southern California.

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