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Produktbild: Boogie Man | Charles Shaar Murray
Produktbild: Boogie Man | Charles Shaar Murray

Boogie Man

The Adventures of John Lee Hooker in the American Twentieth Century

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'You the funkiest man alive.' Miles Davis' accolade was the perfect expression of John Lee Hooker's apotheosis as blues superstar: recording with the likes of Van Morrison, Keith Richards and Carlos Santana; making TV commercials (Lee Jeans); appearing in films (The Blues Brothers); and even starring in Pete Townshend's musical adaptation of Ted Hughes' story The Iron Man.

His was an extraordinary life. Born in the American deep south, he moved to Detroit and then, in a career spanning over fifty years, recorded hypnotic blues classics such as 'Boogie Chillen', rhythm-and-blues anthems such as 'Dimples' and 'Boom Boom' and, in his final, glorious renaissance, the Grammy-winning album The Healer. Charles Shaar Murray's authoritative biography vividly, and often in John Lee Hooker's own words, does magnificent justice to the man and his music.

Produktdetails

Erscheinungsdatum
03. November 2011
Sprache
englisch
Seitenanzahl
656
Dateigröße
2,53 MB
Autor/Autorin
Charles Shaar Murray
Verlag/Hersteller
Kopierschutz
mit Adobe-DRM-Kopierschutz
Produktart
EBOOK
Dateiformat
EPUB
ISBN
9780857862044

Portrait

Charles Shaar Murray

Charles Shaar Murray (born 1951) is an English music journalist. His first experience in journalism came 1970 when he was asked to contribute to the satirical magazine Oz. In particular, he contributed to the notorious Schoolkids OZ issue, and was involved in the consequent obscenity trial. He then wrote for the New Musical Express from 1972 until 1986. His writing has also appeared in Q , Mojo, New Statesman, Prospect, Guardian, Observer, Daily Telegraph, and Vogue. He currently writes a monthly column about his life-long love affair with guitars in Guitarist.

Pressestimmen

* Charles Shaar Murray combines a serious grasp of what he needs to take from post-modernist notions such as intertextuality or shamanism, and chastened common sense about life and sorrow, with an adult capacity to shut up and, a lot of the time, let John Lee himself do the talking -- Roz Kaveney

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