Beginning in the late 1970s, a number of visual artists in downtown New York City returned to an exploration of the cinematic across mediums. Vera Dika considers their work within a greater cultural context and probes for a deeper understanding of the practice.
Inhaltsverzeichnis
Prologue: Downtown New York in the Late 1970s and Beyond
Part I: (Moving) Pictures
(Moving) Pictures: Introduction
Stillness/Movement: Joseph Cornell, Edison Company, Andy Warhol, Jack Goldstein
The Female Body and the Film Frame: Andy Warhol, Cindy Sherman
Vivienne Dick' s Film Portraits
Part II: Community
Amos Poe and the New York New Wave
Downtown and Community: Eric Mitchell, James Nares, Nan Goldin
Part III: Narrative Expectations
Strategies of Transformation: Jack Goldstein, Robert Longo, Cindy Sherman
Strategies of Opposition: Eric Mitchell, Kathryn Bigelow, Lizzie Borden
Part IV: The Cinematic Body
Performance and the Cinematic: Paul Swan , Eric Bogosian
The Ephemeral Body/The Female Voice: Louise Lawler, Ericka Beckman
Part V: Downtown and the Mainstream
Incursions into Popular Culture: Robert Longo, Cindy Sherman, Kathryn Bigelow
Conclusion and Continuation