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Produktbild: Maigret's Dead Man | Georges Simenon
Produktbild: Maigret's Dead Man | Georges Simenon

Maigret's Dead Man

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"One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -The Guardian

After receiving a series of mysterious calls from a man who later turns up dead, Inspector Maigret must plunge into the murky Parisian underworld to solve the case

A man calls Maigret from a cafe and asks for police protection, saying he's being followed by men trying to kill him. The next day, the man's body is identified in the street. To catch the killer, Maigret must piece together the details of his dead man's life, leading police into the crowded, fetid underground world of the Paris slums in the process.

Produktdetails

Erscheinungsdatum
27. September 2016
Sprache
englisch
Seitenanzahl
240
Reihe
Maigret
Autor/Autorin
Georges Simenon
Übersetzung
David Coward
Verlag/Hersteller
Originalsprache
französisch
Produktart
kartoniert
Gewicht
178 g
Größe (L/B/H)
198/128/17 mm
ISBN
9780241206379

Portrait

Georges Simenon

Georges Simenon (Author)

Georges Simenon was born in Liège, Belgium in 1903. An intrepid traveller with a profound interest in people, Simenon strove on and off the page to understand, rather than to judge, the human condition in all its shades. His novels include the Inspector Maigret series and a richly varied body of wider work united by its evocative power, its economy of means, and its penetrating psychological insight. He is among the most widely read writers in the global canon. He died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life.

David Coward (Translator)

David Coward is Emeritus Professor of French at the University of Leeds and has translated many books from French for Penguin Classics.

Pressestimmen

One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere John Banville Financial Times

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