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Produktbild: Compact Disc | Robert Barry
Weitere Ansicht: Compact Disc | Robert Barry
Weitere Ansicht: Compact Disc | Robert Barry
Produktbild: Compact Disc | Robert Barry

Compact Disc

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

The story of the compact disc is also the story of the end of physical media. It is the story of how the quest for perfection laid the grounds for the death of a great industry. For in the passage from analogue media, like records and tapes, to digital formats, like CDs, something changed in the nature of media and in the relationship we have with music. Music became code, a sequence of 1s and 0s, a flow of pure information. The material structure of the medium itself was always supposed to disappear. But the physical has proved to possess an uncanny knack for returning.

Today the CD is a zombie medium, still popular amongst certain avant-garde record labels and Japanese consumers. Against all the odds, the spectre endures.

Object Lessons is published in partnership with an essay series in The Atlantic.

Inhaltsverzeichnis

Introduction
1 The Little Disc
2 The Faithful Disc
3 The Wounded Disc
4 The Undead Disc
Postscript
Acknowledgements
Select Bibliography
Index

Produktdetails

Erscheinungsdatum
19. März 2020
Sprache
englisch
Seitenanzahl
160
Reihe
Object Lessons
Autor/Autorin
Robert Barry
Verlag/Hersteller
Produktart
kartoniert
Gewicht
145 g
Größe (L/B/H)
166/121/20 mm
ISBN
9781501348518

Portrait

Robert Barry

Robert Barry is Visual Arts Editor at The Quietus and a Faculty Member at the Institute of Contemporary Music Performance, London, UK. He is the author of The Music of the Future (2017) and co-editor, with Houman Barekat and David Winters, of The Digital Critic: Literary Culture Online (2017).

Pressestimmen

This thoughtful, elegantly written little book pays homage to that least loved of music formats, the compact disc. Filled with engaging anecdotes and philosophical observations, the book offers a concise cultural history of audio recording, describing the vicissitudes of the music industry and the dissolution of sonic objects into codes and clouds. Christoph Cox, Professor of Philosophy, Hampshire College, USA, and author of Sonic Flux: Sound, Art, and Metaphysics (2018)

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