Explores how and why creative workers are moving to the Mainland from East Asia, and how they are navigating the challenges of producing creative and critical content in a politically constrained environment.
Inhaltsverzeichnis
Acknowledgments / Introduction: Willing Collaborators, the Long Game, Michael Keane / 1 The New International Division of Cultural Labor, Global Media Studies, and the Cultural Rise of China, Terry Flew / 2 Collaborators, Mediators, and Processes: Film Co-production in China, Weiying Peng / 3 The New Geography of the Global Blockbuster: Wanda Scales Up, Michael Curtin / 4 The Will to Power: The BAT in and Beyond China, Michael Keane and Chunmeizi Su / 5 Two-Systems Differential: Informal Media and Decolonization in Hong Kong, Darrell William Davis / 6 Hong Kong Cinema: Reconnecting Its Southeast Asian Heritage, Peichi Chung / 7 Producing Nuanced Chinese Fantasy: A Case Study of Stephen Chow's Box Office Hit Mermaid, Hongchi Shiau and Brian Yecies / 8 China-Japan Crossover Comics: Localization, Re-localization, and Export, Anthony Fung / 9 Dreaming of Webtoons in China and the Next Korean Wave, Brian Yecies / 10 Japanese Cultural Adaptation, Formats, and Remaking in East Asia, Seiko Yasumoto / 11 Regionalizing Reality: The Rise of East Asian Collaborations in Television Production, Ju Oak Kim / 12 Localizing Korean Reality Shows in China: The Practice of Production and Censorship, Arjen Nauta / 13 Cross-Straits Online Collaboration : Multiple Publics and Intractable Institutions, Elaine Jing Zhao / 14 Pan-Asian Celebrity and Manufacturing Women's Desires on East Asian Screens Big and Small, Tania Lim / 15 Creative Migration: Talent and Celebrity Movements to the Chinese Mainland, Danjing Joy Zhang and Michael Keane / Bibliography / Index / About the Editors and Contributors
