Digital Sampling is a book about the design and use of sampling technologies that have shaped the sounds of popular music. Discusses Fairlight CMI and E-Mu Systems and follows users across a range of musical worlds. A new approach to the study of sampling and crucial reading for students and academics in music technology.
Inhaltsverzeichnis
LIST OF FIGURES
PRELUDE/ACKNOWLEDGEMENTS
Introduction
Part I: Instruments
Chapter 1 - Tomorrow's Music Today: The Fairlight CMI Series I and II
Chapter 2 - Page R and the Art of the Loop: The Fairlight CMI Series II, IIx, and III
Chapter 3 - Technologies of Hip-Hop: The E-mu Emulator, SP-12, and SP-1200
Interlude: Methodologies
Part II: Users
Chapter 4 - Microsampling: Akufen and Todd Edwards
Chapter 5 - Appropriation, Additive Approaches, and Accidents: Found
Chapter 6 - Foot Pedals and Folk Music: King Creosote
Chapter 7 - The Sounds of Everyday Life (and Death): Matthew Herbert
Conclusions
INTERVIEWS AND PERSONAL COMMUNICATION
BIBLIOGRAPHY
DISCOGRAPHY
INDEX
